This is a fun read, a hard sci-fi story with a solid chunk of humor and cynicism that is a supremely enjoyable read. The writing style is excellent, flowing well and it works great within the realm of this story which is a multiple first-person account of self-replicating probes multiplying and exploring the galaxy. The style is similar to many other contemporary science fiction authors and it particularly reminded me of John Scalzi, a good thing because he is one of my favorite modern authors. Scalzi’s sarcastic wit is something to behold and Dennis E. Taylor seems to be cut from the same cloth in the story-telling sense anyway. I certainly encourage any Scalzi fan to give this a try.
Another great installment of this exciting space opera trilogy from one of the genre’s finest exponents. It continues the series immediately from where The Dark Between the Stars left off, and gives further truck-loads of the same fast-paced action and bigness which are hallmarks of Anderson’s epic stories.
Like the previous books, for a kick off we’re given a decent story recap which is a great feature of the series, one of the key things which make these books so readable. You can come back into it after some time away and quickly pick up the story again, brought back up to speed with key events and plot elements that jog the memory sufficiently to enthusiastically get right back onto the roller coaster.
Yeah, this was okay, actually quite a cool take on the alien first contact scenario where technical plans for some alien technology are discovered within an obscure UFO book. Some enlightened folk see these plans for what they really are and set about finding out the source of said plans and implementing them.
If I imagine a 2017 version of a sci-fi magazine in the vein of golden-era publications such as Amazing Stories or If, then it would contain stories something like this one. It’s an excellent reminder of why we read this sort of science fiction: it’s fun!
What makes a science fiction story a space opera? Well, it needs to take place in space obviously, though not necessarily all of the time. Hanging out solely in an arcology on a climate-blasted Earth, or even in a domed city on Mars, doesn’t cut it. Actually, the more space the better; though there are certainly exceptions, a good space opera should span a galaxy or two, or at least a solar system. And an opera has to be grand and dramatic –battling empires, invading aliens, mysterious ancient technology, and grand, sweeping story arcs.
Bloody hell, I thought that Sleeping Giants was fast-paced! This second book of the Themis Files changes into an even higher gear, the story rocketing along so rapidly that, before I knew it, I was at the end. And with another cliff-hanger for good measure. I read this book, which is slightly longer than the first book, in exactly two sessions. To be fair, I had the excuse of being sick in bed with plenty of time on my hands, but still I didn’t want to put it down and stop the roller coaster ride.
This is a fun and interesting book, both in the thematic sense and also in the storytelling style. It’s a relatively short sci-fi techno-thriller with what I think has a slight “youthy” feel, but I see this as a good thing, making it accessible to a wider audience of readers. I’d have loved this as a teenage reader just as much as I did as an “older” one. It’s a book that you could give to many readers because it contains solid tropes from the sci-fi genre as well as the fast action entertainment of a thriller. They all mix together rather nicely into a very entertaining story.